Bitmap monogram
Based on my Initials
The bitmap monogram project was an exploration of typographic design using the initials R, M, and S. The design process was guided by a standard in which each letter adheres to an optically consistent system. In establishing the system through the thickness of the stem and its fading counterparts served as the foundation for maintaining visual coherence across the monogram. However, achieving this consistency presented unique challenges, particularly with the letter M. Overcoming this hurdle, adjustments were made to the width of the M’s center stem, aiming to align the visual weight of the S and R’s bottom bars. The outcome reflects a pursuit of typographic precision, showcasing a unified three-letter typeface distinguished by its carefully crafted system and harmonious design elements.
Before
After
The initial focus in the alterations was refining the stem style of the R and M, as well as adjusting the top spine of the S and its bottom serif. Transitioning from a relatively thin stem to a thicker one, accompanied by fading counterparts, introduced a sense of movement to the design. Additionally, lessening the size of the closed encounter in the R was enhanced by thickening its top arm, mirrored in the M and S’s arms. Furthermore, the middle stem of the M was augmented to maintain unity. Adding a serif to the top of the S helped make it more recognizable as a letterform. Removing the serif from the bottom leg of the R and the M’s arms contributed to the visual unity of the design.
The Design Process
Developing a system
In the design process the incorporation of lines separating and fading from text became an important element in conveying movement. Evolving throughout the initial stages to the final iteration, various explorations were attempted to experiment with different ways to display the text serifs. Throughout the entire design process, the primary goal was to communicate a unified three-letter typeface.